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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW
Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...
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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR
Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...
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THE BEST MALE ACTORS OF 2023: DEEPAK QAZIR
An actor having worked in the current year is insignificant when selecting the best among them, because cinematic appreciation transcends time, writes Deepak Qazir....
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NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES
Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...
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Of the People
Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...
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What Bollywood can learn from Hollywood
Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...
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Mise en scene: a metaphysical expression
Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...
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The Discreet Charm of the Bourgeoisie
Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...
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The Austere Ascetic
Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...
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Missing Soumitrababu
The 1950’s down 70’s are often considered as the ‘Golden Era’ of Bengali Cinema, reminisces Rwita Dutta Read More